Announcing “Other States” vinyl REISSUE!

Very excited to partner with Debacle records for a vinyl edition of “Other States”, originally released on cassette via Geographic Norths’s wonderfully-curated “Sketch for Winter” series, and now lovingly remastered for LP by Chuck Johnson with new artwork by longtime friend and collaborator, Billy Joe Miller.

This music would not exist without the confluence of so many amazing people and experiences (visit link for more detailed context) including Paul Clipson, James Sterling Pitt, Bobby and Farbod, along with so many who helped this music come to life. 

Preorder now / Nov. 4th official release!

Thank you as ever for listening and supporting!

With love,

DPG

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New song, ‘September Flower’ …

Grateful to share a new song, ‘September Flower’, as part of the Amazon Original series (curated by Stephen Brower) with contributions from the likes of Laraaji, Roger Eno, among others. Hope you enjoy what you hear and I encourage you to check out all the artists contributions! ✨🥀✨

Field Session °3: Battery Townsley

Happy to share ‘Field Session °3: Battery Townsley’, the latest in an ongoing collaboration with cinematographer and bud, Ian Albert, celebrating the natural surrounds of the greater SF/Bay Area. Battery Townsley is nestled along the bluffs of Marin Headlands overlooking the Pacific Ocean. Aside from its spectacular setting, the battery has incredible acoustic resonance, making it a great space to explore sound-based work. Special shout-out to the starlings singing along with me.

As always, thank you for taking the time to listen!

DPG

Stills from the Grouper show at Castro Theater

Eleven days have passed since sharing a memorable night of music with Grouper and Tyler Holmes at the glorious Castro Theater, which turns an astounding 100 years old June 22nd! The show stands out as one of the most fulfilling I’ve yet played. Truly magical! Very grateful to Grouper for inviting us along and to Emi Ito for capturing some moments of the set (joined by Rich Douthit on percussion).

Three Lobed 21st Festival!

Hard to believe this is on the horizon in less than two weeks! I am beyond excited to celebrate 21 years of Three Lobed Recordings among such fine company! Massive gratitude to Cory Rayborn, who keeps things chugging along with so much heart and genuine support! It’s going to be a heady three days…

With love,

DPG

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Furniture Music II featured on Aquarium Drunkard’s latest roundup of 21st Century Guitar!

A welcome surprise to find my latest included on Aquarium Drunkards New Transmissions roundup of 21st Century Guitar Music! Honored to be among such a wonderful and varied collection of musicians.

And on a related note… Furniture Music II, originally a Bandcamp-only release, will be available on all digital streaming services starting January 7th c/o Three Lobed Recordings / Red Eye Distribution.

Wishing all a great start to 2022 with good health, joy and creativity!

DPG

Furniture Music II review via Foxy Digitalis

Warmed to receive such thoughtful words on Furniture Music II via Foxy Digitalis. Brad Rose, an interdisciplinary artist/musician and principal writer/editor of Foxy D, has deep roots in the extended community so it feels extra special to know he connects so personally to this music.

Head on over here to explore the sights content and if you’d like to support its continuance, please consider donating to their Patreon page.

Full review:

“Whenever I listen to Danny Paul Grody’s Furniture Musicreleases, I laugh a little at the idea of these utterly fantastic pieces blending into the background. Grody is such a good guitarist and his ability to craft music that grows in stature through repeating themes and melodies is special, but it’s the essence of these songs that keeps them centered. Furniture Music II is a glowing invitation to let the long shadows linger a little longer and hold onto the small glimpses of what is possible for all days.

Written during the dark days of the pandemic, these straightforward, lovely songs offer clarity in a world where there isn’t much of it. Grody’s unadorned, straight-ahead style feigns simplicity, but in truth, this music is swimming with a thousand emotional undercurrents, intertwined and held softly. “The Hum of an Empty House” takes short steps tiptoeing through the magical, elusive quiet. Grody’s arrangement rocks back and forth with momentary lulls where the whisper of his breath is audible, enhancing the intimacy and warmth. On “Clearing” the silence is filled with rushes of activity as the resonance in the strings infuses the moment with light. 

Each piece on Furniture Music II holds its own space. It’s as if each is a room in our homes with its own character and emotion. Washes of drifting memories permeate “The Longview.” Quickening the cadence, Grody adds an urgency to the fingerpicked exultations. It’s like a running monologue in the back of my mind, reminders of the days lost as I try to find solace in the fact I’m still here and will be able to create new moments in the future. Sometimes it’s too much and in acknowledging that, Grody slows down and takes a deep breath on closer, “Holding Pattern.” Crisp notes sing into the emptiness, filling the spaces between us with comfort and mirth.

Maybe this is background music in the way it saturates the familiar moments with an added weight. The inquisitive opening chords of “Returning Light” suggest the beginning of a cycle, whether it’s a day, a week, or a lifetime. We repeat so many patterns and motions that they can lose meaning; putting our child to sleep every night or seeing the sun each morning becomes mundane even though each instance still matters. Grody’s music reminds us to search for the secret beauty in those moments and, as Furniture Music suggests, weave it into every moment we can.” – Brad Rose, Foxy Digitalis (published Dec. 16, 2021)

Growth and Transition sound walk in San Francisco

Greetings! For those of you living in the Bay Area – I’m very honored to take part in this collaborative sound walk with artists Rumi Koshino and Fereshteh Toosi as part of Soundwave Festival featuring music from my Longform Editions contribution, “Sunrise, Looking East.” Please come check it out if you are able!

Project description:

Growth is a sound art experience that begins at the 1969 Ruth Asawa mosaic of the same name at 580 Capp St. It’s a series of guided meditations situated in the urban landscape of the Mission. Participants are invited to slow down, listen, reflect on the past, and contemplate our collective responsibility to future generations.

Proceed to each stop from west to east. This experience will take approximately 50-60 minutes. Wear comfortable shoes, use headphones, and please stay alert to traffic and other hazards while you walk.

Produced by Rumi Koshino and Fereshteh Toosi as part of the Oil Ancestors project, with music by Danny Paul Grody.

Art by Rumi Koshino